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Izenburua/Título | Idazlea/Autor | Argitaletxea/Editorial | ![](images/spacer.gif) |
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| INGURU ETA GIZARTE. LAGUNTZA GELA. | | | ![](images/spacer.gif) | |
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| INVESTIGACIÓN Y CIENCIA | | | ![](images/spacer.gif) | |
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| INVESTIGACIÓN Y CIENCIA | | | ![](images/spacer.gif) | |
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| INVESTIGACIÓN Y CIENCIA | | | ![](images/spacer.gif) | |
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| EUSKO IKASKUNTZA. MEMORIA 2005. | EUSKO IKASKUNTZA | | ![](images/spacer.gif) | |
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| AIREA , UNIBERTSOA, URA. | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| THE FISHER KING- PACIFIC HEIGHTS | | | ![](images/spacer.gif) | |
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| CON DIEZ CAÑONES POR BANDA | ESPRONCEDA, JOSE DE | | ![](images/spacer.gif) | |
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| ACTAS I SIMPOSIUM DE PSICOLOGIA EDUCATIVA| | | | ![](images/spacer.gif) | |
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| INDARRA ETA ENERGIA. 5.,6. MAILAK | | | ![](images/spacer.gif) | |
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| GIZARTE 2. DBH. NEKAZARIAK ETA BESTE BATZUK 2 (1) + (2) | | | ![](images/spacer.gif) | |
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| GAZTEAK ETA LIBURUTEGIA- LOS JÓVENES Y LA BIBLIOTECA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| TRIBIAL FEMINISTA | ANITZAK | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| INGURUNE. | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| 51 NARRACIONES | GÓMEZ, EMILIA | | ![](images/spacer.gif) | |
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| PORQUE YO ASÍ LO QUISE | RICÁRDEZ, LETICIA | | ![](images/spacer.gif) | |
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| LA SEGUNDA REPÚBLICA | TUÑÓN DE LARA, MANUEL | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| BIOLENTZIA SEXUALIK GABEKO BIZIKIDETASUN BATETARAKO | ANITZAK | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| NUESTRA AGUA. GURE URA. | ARABAKO FORU ALDUNDIA | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| II. REPÚBLICA Y GUERRA CIVIL | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| ARTE. GRECIA Y ROMA. | | | ![](images/spacer.gif) | |
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| EGIPTO. BUSCANDO LA ETERNIDAD. 60´ | | | ![](images/spacer.gif) | |
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| LA SEGUNDA REPÚBLICA, LA REVOLUCIÓN DE OCTUBRE Y EL FRENTE POPULAR. 30 ´ | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| GIZARTE 2. DBH. NEKAZARIAK ETA BESTE BATZUK 2 (1) + (2) | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| MACHADO, ANTONIO | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKASLEEN NARRAZIOAK | | | ![](images/spacer.gif) | |
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| ZURGAI. LA POESÍA EN ADELANTE . | ANITZAK | | ![](images/spacer.gif) | |
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| ZURGAI. | ANITZAK | | ![](images/spacer.gif) | |
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| NAZIS | | | ![](images/spacer.gif) | |
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| PICASSO | | | ![](images/spacer.gif) | |
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| VELÁZQUEZ | | | ![](images/spacer.gif) | |
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| LOS COETÁNEOS DE GOYA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| PICASSO | | | ![](images/spacer.gif) | |
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| FONTES LINGVAE VASCONVM | ERDOZIA, JOSE LUIS | | ![](images/spacer.gif) | |
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| DE LOS ORÍGENES DEL MUNDO A LA REVOLUCIÓN AGRÍCOLA. | | | ![](images/spacer.gif) | |
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| TIZIANO. VERONÉS/ TINTORETTO. RUBENS | | | ![](images/spacer.gif) | |
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| LA LARGA RUTA DE LA HISTORIA , 20´ | | | ![](images/spacer.gif) | |
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| VELÁZQUEZ | | | ![](images/spacer.gif) | |
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| AHOZKO LITERATURA ZAHARRA | | | ![](images/spacer.gif) | |
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| HAMARRETIK ZORTZI | ASOCIACION ZABALKETA | | ![](images/spacer.gif) | |
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| HAMARRETIK ZORTZI | ASOCIACION ZABALKETA | | ![](images/spacer.gif) | |
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| HAMARRETIK ZORTZI | ASOCIACION ZABALKETA | | ![](images/spacer.gif) | |
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| GIZARTE 2. DBH. NEKAZARIAK ETA BESTE BATZUK 2 (1) + (2) | | | ![](images/spacer.gif) | |
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| LOS HECHOS DE MAYO.FIN DE GUERRA. EL MUNDO EN CONFLICTO. EL MUNDO MODERNO. | | | ![](images/spacer.gif) | |
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| Alba, reina de las avispas | COHEN, EMMA | | ![](images/spacer.gif) | |
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| SEKRETU TXIKIAK | | | ![](images/spacer.gif) | |
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| FORRESTER AGERIRA | | | ![](images/spacer.gif) | |
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| ¿QUÉ ME ESTÁ PASANDO ? | | | ![](images/spacer.gif) | |
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| NIGARRA BEGIAN. XALBADOR | LETE, XABIER | | ![](images/spacer.gif) | |
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| HERRI IHAUTERIAK. CARNAVALES RURALES | | | ![](images/spacer.gif) | |
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| HERRI INAUTERIAK-CARNAVALES RURALES | | | ![](images/spacer.gif) | |
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| ¿POR QUÉ UNA CONSTITUCIÓN EUROPEA? | COMISIÓN EUROPEA | | ![](images/spacer.gif) | |
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| LA VIDA POR DELANTE | LOQUILLO | | ![](images/spacer.gif) | |
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| AGENDA OCULTA | LOACH, KEN | | ![](images/spacer.gif) | |
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| IZOTZ IKASTAROA- IRRISTAKETA | ARANA BEOBIDE, JOSU | | ![](images/spacer.gif) | |
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| GRINGO VIEJO | PUENZO, LUIS | | ![](images/spacer.gif) | |
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| AGENDA OCULTA | LOACH, KEN | | ![](images/spacer.gif) | |
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| LO QUE LOS JÓVENES NECESITAN SABER DE SEXO. | | | ![](images/spacer.gif) | |
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| ROMANCES | DÍAZ, JOAQUÍN | | ![](images/spacer.gif) | |
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| POESÍAS DE MACHADO Y MIGUEL HERNÁNDEZ | SERRAT, JOAN MANUEL | | ![](images/spacer.gif) | |
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| CAFÉ IRLANDÉS | FREARS, STEPHEN | | ![](images/spacer.gif) | |
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| ENSEÑAR A VIVIR LA AFECTIVIDAD | ANITZAK | | ![](images/spacer.gif) | |
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| OTSOEKIN DANTZAN | | | ![](images/spacer.gif) | |
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| AGUR HERRIARI -ELIZANBURU | ANITZAK | | ![](images/spacer.gif) | |
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| POESÍAS | BÉCQUER, GUSTAVO ADOLFO | | ![](images/spacer.gif) | |
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| DBH 3. DROGA | | | ![](images/spacer.gif) | |
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| VIDA Y OBRA DE JUAN RAMÓN JIMÉNEZ | LITERATURA IBILBIDEAK | | ![](images/spacer.gif) | |
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| EDUCATION THROUGH SPORTS | ANITURRI BHI | | ![](images/spacer.gif) | |
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| POESÍA CON LOS JÓVENES | BENEDETTI, MARIO | | ![](images/spacer.gif) | |
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| QUIERO SER COMO BECKAM | | | ![](images/spacer.gif) | |
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| ¿EXISTIÓ EN LA CULTURA ESPAÑOLA DEL XIX LA FIGURA DEL BOHEMIO MALDITO? | VARELA GARCÍA, ASIER | | ![](images/spacer.gif) | |
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| GATZA. BESTE ERREINUAK | | | ![](images/spacer.gif) | |
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| THE SHELTER IN SKY- SEX, LIES AND VIDEOTAPE | | | ![](images/spacer.gif) | |
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| WALLACE AND GROMIT I | | | ![](images/spacer.gif) | |
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| FUENTEOVEJUNA | TEATRO ACHIPERRE | | ![](images/spacer.gif) | |
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| EL PIANO | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| SELECCIÓN DE POEMAS | Otero, Blas de | | ![](images/spacer.gif) | |
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| LA RUTA DE DON QUIJOTE EN BICICLETA DE MONTAÑA | | | ![](images/spacer.gif) | |
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| EUSKAL ABESTIAK | AUBIXA BARNETEGIA | | ![](images/spacer.gif) | |
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| KONTU KANTARI! | IRALE | | ![](images/spacer.gif) | |
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| LIBERTARIAS | ARANDA, VICENTE | | ![](images/spacer.gif) | |
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| POESÍA VARIA | ANITZAK | | ![](images/spacer.gif) | |
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| EMPRESARIOS ALAVESES | SEA | | ![](images/spacer.gif) | |
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| GRANDES MAESTROS DEL CÓMIC | | | ![](images/spacer.gif) | |
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| BERTSOLARITZA- REPENTISMO | | | ![](images/spacer.gif) | |
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| VITORIA 1900-1950. EL PAISAJE URBANO | | | ![](images/spacer.gif) | |
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| RAFAEL ALBERTI | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| BACH-BEETHOVEN-MOZART | | | ![](images/spacer.gif) | |
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| AMOR INMORTAL | BEETHOVEN, LUDWIG VAN | | ![](images/spacer.gif) | |
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| 1. VERONÉS-TINTORETTO.2- TIZIANO. 3- DE FRA ANGELICO A RAFAEL. 4- FORTUNY-ROSALE | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| PÍCAROS CÓMICOS CLÁSICOS | | | ![](images/spacer.gif) | |
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| VICENTE BLASCO IBAÑEZ | | | ![](images/spacer.gif) | |
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| ROSALÍA DE CASTRO | | | ![](images/spacer.gif) | |
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| JOAN MANUEL SERRAT INTERPRETA A MIGUEL HERNÁNDEZ | SERRAT, JOAN MANUEL | | ![](images/spacer.gif) | |
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| LLOVIENDO PIEDRAS | LOACH, KEN | | ![](images/spacer.gif) | |
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| HARKAITZAREN JOLASA- JUEGO DE LA ROCA | ACERO SIMÓN, EVA | | ![](images/spacer.gif) | |
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| ANATOMÍA PARA EL MOVIMIENTO | CALAIS-GERMAIN, BLANDINES | | ![](images/spacer.gif) | |
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| ANATOMÍA PARA EL MOVIMIENTO (TOMO I) | CALAIS-GERMAIN, BLANDINES | | ![](images/spacer.gif) | |
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| POESÍAS VARIAS | Ibáñez, Paco | | ![](images/spacer.gif) | |
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| BIBLIOTECAS ESCOLARES | | | ![](images/spacer.gif) | |
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| NIEBLA | UNAMUNO, MIGUEL DE | | ![](images/spacer.gif) | |
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| MUJERES EN LA HISTORIA I, II, III. | | | ![](images/spacer.gif) | |
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| Novecento | Bertolucci, Bernardo | | ![](images/spacer.gif) | |
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| RAFAEL ALBERTI, BLAS DE OTERO, GABRIEL CELAYA, MIGUEL HERNÁNDEZ | Ibáñez, Paco | | ![](images/spacer.gif) | |
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| POESÍA VARIA | | | ![](images/spacer.gif) | |
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| MARCELA VENOS LIBER´ | | | ![](images/spacer.gif) | |
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| LA IMAGEN. MUJER Y PUBLICIDAD.BENETTON | | | ![](images/spacer.gif) | |
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| LA NOCHE DEL DILUVIO | MENDOZA, EDUARDO | | ![](images/spacer.gif) | |
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| LOS LUNES AL SOL | LEÓN DE ARANOA, FERNANDO | | ![](images/spacer.gif) | |
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| IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| REVISTA ANUAL DEL INSTITUTO GERÓNIMO DE UZTARIZ | ANITZAK | | ![](images/spacer.gif) | |
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| DIAPORAMA: IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| Aniturri II Literatur Lehiaketa 1989/90 | | | ![](images/spacer.gif) | |
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| Aniturri IV Literatur Lehiaketa 1991/92 | | | ![](images/spacer.gif) | |
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| 26 CUENTOS PARA PENSAR | BUCAY, JORGE | | ![](images/spacer.gif) | |
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| AIREA, UNIBERTSOA, URA. | | | ![](images/spacer.gif) | |
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| GIZARTE 2. DBH. NEKAZARIAK ETA BESTE BATZUK 2 | | | ![](images/spacer.gif) | |
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| Aniturri VI Literatur Lehiaketa 1994/95 | | | ![](images/spacer.gif) | |
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| Aniturri VIII Literatur Lehiaketa 1996/97 | | | ![](images/spacer.gif) | |
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| Aniturri IX Literatur Lehiaketa 1997/98 | | | ![](images/spacer.gif) | |
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| Aniturri X Literatur Lehiaketa 1998/99 | | | ![](images/spacer.gif) | |
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| PIRATEKIN HIZKUNTZAREN MUNDUAN | | | ![](images/spacer.gif) | |
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| DIAPORAMA: IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| DIAPORAMA: IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| THE MYSTERY OF THE TOMB | McGreevy, Marisa | | ![](images/spacer.gif) | |
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| DIAPORAMA: IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| AUSTRIA 2008. XABIER SARASOLA | CRESCENDO MUSIKA ELKARTEA | | ![](images/spacer.gif) | |
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| DIAPORAMA: IKUS ENTZUNEZKO TAILERRA | | | ![](images/spacer.gif) | |
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| Aniturri Literatur Lehiaketa XII 2000-2001 | | | ![](images/spacer.gif) | |
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| 26 CUENTOS PARA PENSAR | BUCAY, JORGE | | ![](images/spacer.gif) | |
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| ALCOVER | ALCOVER | | ![](images/spacer.gif) | |
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| FRANCISCO SEGOVIA | SEGOVIA, FRANCISCO | | ![](images/spacer.gif) | |
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| LUIS FERNÁNDEZ HEBRERO | FERNÁNDEZ HEBRERO, LUIS | | ![](images/spacer.gif) | |
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| EUSKARA ERRO ETA GARA | | | ![](images/spacer.gif) | |
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| TABAKISMOAREN PREBENTZIO ESPEZIFIKOARI BURUZKO PROGRAMA | SASOIA, EDUCACIÓN PARA LA SALU | | ![](images/spacer.gif) | |
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| EUSKERA ERRO ETA GARA | KAPANAGA, BITTOR | | ![](images/spacer.gif) | |
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| ROBIN HOOD: PRINCE OF THIEVES ( 143´) | | | ![](images/spacer.gif) | |
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| SUAREN BILA ( 83´)- METRÓPOLIS FRIZ LANG ( 85´) | ANNAUD, JEAN JACQUES | | ![](images/spacer.gif) | |
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| THE FISHER KING- PACIFIC HEIGHTS | | | ![](images/spacer.gif) | |
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| FREED GREEN TOMATOES- INDIANA JONES AND THE LASI CRUSADE | | | ![](images/spacer.gif) | |
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| EL MISTERIO VON VULON- THE BODYGUARD | | | ![](images/spacer.gif) | |
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| FORMULARIO DE TEORÍA DE TEJIDOS | BLANXART Y PEDRALS, DANIEL | | ![](images/spacer.gif) | |
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